(επιλογές από διευθυντές Φεστιβάλ, και όχι μόνο)

Hans Hurch  (Viennale)
L’ Image manquante (Rithy Panh )
Dialogue d’ombres (Danièle Huillet, Jean-Marie Straub) & Un conte de Michel de Montaigne (Jean-Marie Straub)
L’ Inconnu du lac (Alain Guiraudie)
Le Dernier des injustes (Claude Lanzmann)
The Dirties (Matt Johnson)

Jonathan Rosenbaum (Cinemascope-Jonathanrosenbaum.com)
Sweet Exorcist-Centro Historico (Pedro Costa)
The Last of the Unjust (Claude Lanzmann)
You Ain’t Seen Nothin’ Yet (Alain Resnais)
Museum Hours (Jem Cohen)
Man Made Place (Yu-Shen Su)

Adrian Martin (FilmKrant)
Jealousy (Philippe Garrel)
Me and You (Bernardo Bertolucci)
Top of the Lake (Jane Campion)
Stray Dogs (Tsai Ming-liang)
Camille redouble (Noémie Lvovsky)

Marco Müller (Festival Internazionale del Cinema di Roma)
Jiaoyou/Stray Dogs (CAI Mingliang -TSAI Ming-liang)
Norte, hangganan ng kasaysayan/Norte, the End of History (Lav Diaz)
Orlando ferito/Roland blessé (Vincent Dieutre)
Tir (Alberto Fasulo)
Trudno byt' bogom/Hard to Be a God (Aleksej Jurevic German)
L'Inconnu du lac/Stranger by the Lake (Alain Guiraudie)
Tian zhu ding/A Touch of Sin (Jia Zhangke)
Her (Spike Jonze)
Thwara Zanj/Zanj Revolution (Tariq Teguia)
Di Renjie zhi shendu longwang/Young Detective Dee: Rise of the Sea Dragon (Tsui Hark - Xu Ke)

Carlo Chatrian (Festival del Film Locarno)
E agora lembra-me (Joao Pinto)
Till Madness Do Us Apart (Wang Bing)
Die Anderen Heimat (Edgar Reitz)
L’inconnu du lac (Alain Guiraudie)
L’image manquante (Rithy Pahn)
Historia de la meva mort (Albert Serra)
Norte (Lav Diaz)
The Wind Rises (Miyazaki Hayao)
Mouton (Gilles Deroo & Marianne Pistone)
Metabolism or When Nights Falls in Bucharest (Corneliu Porumboiu)

Maria Bonsanti (Cinéma du Réel)
N°1: E agora? Lembra-me (J. Pinto)
=L'inconnu du lac (Alain Guiraudie)
=Norte, the end of history (Lav Diaz)
=Redemption (Miguel Gomes)
=At Berkeley (Frederic Wiseman)
=The Congres (Ari Folman
=A touch of sin (Jia Zhang-Ke)
N° 9 Touch (Shelly Silver) + Cha fang (Zhu Rikun) + Fifi hurle de joie (Mitra Farahani) + El otro Dia (Ignacio Aguero)

+  Le joli mai by Chris Marker

Olaf Möller (σινεφίλ, κριτικός, μεταφραστής επιμελητής)

Η ενδεκάδα του Olaf Möller

Προπονητές (Ταινίες της χρονιάς)
L’Image manquante (The Missing Picture, Rithy Panh, 2013)
Namyŏng-dong 1985 (National Security, Chŏng Chiyŏng, 2012)

Πρώτη ομάδα (με αλφαβητική σειρά)
Återträffen (The Reunion, Anna Odell, 2013)
Le Beau danger (René Frölke, 2013)
Le Dernier des Injustes (The Last of the Unjust, Claude Lanzmann, 2013)
Muisteja – Pieni elokuva 1950-luvun Oulusta (Remembrance – A Small Movie About Oulu in the 1950s, Peter von Bagh, 2013)
My Mefaḥed MeZeʾeb Harʿ (Big Bad Wolves, ˀharon Qešales & Nabot Papušado, 2013)
Norte, Hangganan ng Kasaysayan (Norte, the End of History, Lav Diaz, 2013)
Paradesi (The Vagabond, Bala, 2013)
Sorg og glæde (Sorrow and Joy, Nils Malmros, 2013)
-Trudno byt’ bogom (Hard To Be a God, Aleksej Jurevič German [finished by Aleksej Aleksejevič German & Svetlana Karmalita], 2013)
Der Unfertige (The Incomplete, Jan Soldat, 2013)
Za Marksa… (For Marx…, Svetlana Baskova, 2012)

Αναπληρωματικοί
Die andere Heimat – Chronik einer Sehnsucht (Home From Home – Chronicle of a Vision, Edgar Reitz, 2013) // At Berkeley (Frederick Wiseman, 2013) // Boven is het stil (It’s All So Quiet, Nanouk Leopold, 2013) // Camille Claudel 1915 (Bruno Dumont, 2013) // Dí rénjié zhī – Shéndōu lóngwáng 3D (Young Detective Dee: Rise of the Sea Dragon 3D {Tsui Hark}, 2013) // O fim e os meios (Means to an End, Murilo Salles, 2013) // Kaze tachinu (The Wind Rises, Miyazaki Hayao, 2013) // Kopfkino (Lene Berg, 2012) // A Messenger From The Shadows. Notes on Film 06 – A. Monologue 01 (Norbert Pfaffenbichler, 2012/13) & A Masque of Madness. Notes on Film 06 – B. Monologue 02 (Norbert Pfaffenbichler, 2013) // Saatvin Sair (The Seventh Walk, Amit Dutta, 2013) // Vos’merka (Break Loose, Aleksej Učitel’, 2013) // Yksitoista ihmisen kuvaa (11 Images of a Human, Anastasia Lapsui & Markku Lehmuskalio, 2012)
+ Tatort: Aus der Tiefe der Zeit (Dominik Graf, TV 2013)

Το προσωπικό της ομάδας
00 Schneider – Im Wendekreis der Eidechse (Helge Schneider [& Andrea Schumacher], 2013) // Ba ͑d al-mawqīya (After the Battle, Yusrī Naṣr-Allāh, 2012) // Before Midnight (Richard Linklater) // Deklica in drevo (A Girl and a Tree; Vlado Škafar) // Dialogue d’ombres (Danièle Huillet & Jean-Marie Straub, 1954-2013) // Exhibition (Joanna Hogg) // Fata Morgana (Peter Schreiner, 2013) // Fēng Ài (‘Til Madness Do Us Part, Wáng Bìng, 2013) // Finsterworld (Frauke Finsterwalder, 2013) // Gerontophilia (Bruce LaBruce, 2013) // Goeng1 si1 (Rigor Mortis, Maak Zeon Lung {Juno Mak}, 2013) // Já Visto, Jamais Visto (Seen, Never Seen, Andrea Tonacci, 2013) // Kahaani (Story, Sujoy Ghosh, 2012) // Kuuden päivän juoksu (Six Day Run, Mika Taanila, 2013) // Lei bik waa gwai mei hai lit - Kei waan je (Tales From the Dark 2, Can Gaa Soeng{Gordon Chan}, Lau4 Gwok3 Coeng1 {Lawrence Lau}, Taai3 Dik6 Lo4 Ban1 Gwaan1 {Teddy Robin Kwan}, 2013) // Mariposa – Sa Hawla ng Gabi (Mariposa in the Cage of the Night, Richard Villarosa Somes, 2012) // Mes séances de lutte (Love Battles, Jacques Doillon, 2013) // Only God Forgives (Nicolas Winding Refn, 2013) // Parce que j’étais peintre (Because I was a Painter, Christophe Cognet, 2013) // Pirika na filmu (Pirika on Film, Želimir Žilnik, 2013) // Rol’ (The Role, Konstantin Lopušanskij, 2013) // Rangbhoomi (Kamal Swaroop, 2013) // Skurstenis (The Chimney, Laila Pakalniņa, 2013) // Under the Skin (Jonathan Glazer, 2013)

Ιατρικό προσωπικό (film/video installations, film/video art projects κ.λπ.)
8. Mai (May 8th; Romuald Karmakar, 2013) // “The Beginning. Living Figures Dying” (video installation; Clemens von Wedemeyer, 2013) // “Chess” (video installation; Lorna Simpson, 2013) // “Dà gǔzǐ duī – Millet Mountain” (video installation, as presented at the 55. Esposizione Internazionale d’Arte – Il Palazzo Enciclopedico; Kàn Xuān, 2012/13) // Dirty Young Loose (Lene Berg, 2013) // “[Electric Assemblage Videomural rooted in Stan VanDerBeek's Movie-Drome project, as presented at the 55. Esposizione Internazionale d'Arte – Il Palazzo Enciclopedico, 2013]” // How Not To Be Seen. A Fucking Didactic Educational .Mov File (Hito Steyerl, 2013) // Imitation of Life (Mathias Poledna, 2013) // “Murmel Murmel” (theater production; Herbert Fritsch, 2012) // Shirley – Visions of Reality (Gustav Deutsch, 2013) & “Visions of Reality” (exhibition; Hanna Schimek & Gustav Deutsch, 2013) // “Tilaa massa tilassa massa litassa maalit: ali tila – Material Conditions of Inner Spaces” (video & light installation; Erkka Nissinen, 2013) // a poem written by 5 poets at once (first attempt) (Tanaka Kōki, 2013) // “Utopia” (slide show; Luther Price, 2012) // You Killed the Underground Film or the Real Meaning of Kunst bleibt… bleibt… (Wilhelm Hein, 2013)

Η ενδεκάδα των βετεράνων

Προπονητής (ο δημιουργός- αποκάλυψη της χρονιάς)
Samhold må til (Olav Dalgard, 1935)
Vi bygger landet (Olav Dalgard, 1936)
By og land, hand i hand (Olav Dalgard, 1937)
Lenkene brytes (Olav Dalgard, 1938)
Det drønner gjennom dalen (Olav Dalgard, 1938)
Gryr i Norden (Olav Dalgard, 1939)
Om kjærlighet synger de (The Song of Love, Olav Dalgard, 1946)

Πρώτη ομάδα (με αλφαβητική σειρά)
Almost a Friar (Allan Dwan, 1912)
[L'Arrivée d'un train en gare de La Ciotat, filmée en procédé stereoscopic Lumière] (Louis Lumière, 1935)
Clown (complete revised) (Luther Price, 2003)
Keisatsukan (Policeman, Uchida Tomu, 1933)
Naan Kadavul (I Am God, Bala, 2009)
Operation Diplomat (John Guillermin, 1953)
Rings um eine Kirche (Götz Hirt-Reger, 1943)
The Rosary Murders (Fred Walton, 1987)
Svetlyj gorod [fragment] (Bright Town, Ol’ga Preobraženskaja [& Ivan Pravov], 1928)
Ursus (Mighty Ursus, Carlo Campogalliani, 1961)
Žena s krajolikom (Woman with Landscape, Ivica Matić, 1975)
+ Los Angeles Plays Itself [2013 revision] (Thom Andersen)

Αναπληρωματικοί
Blutiger Freitag (Bloody Friday, Rolf Olsen, 1972) // Dernek (Country Fair, Zoran Tadić, 1975) // Le fatiche di Ercole (Hercules, Pietro Francisci, 1958) // Das Gesicht im Dunkeln (Double Face, Riccardo Freda, 1969) // Kämp (Valentin Vaala, 1970) // Kanko no machi (Jubilation Street, Kinoshita Keisuke, 1944) // Kŏmŭn mŏri (Black Hair, Yi Manhŭi, 1964) // Ein langer Ritt nach Eden (Günter Hendel, 1974) // Most Dangerous Man Alive (Allan Dwan, 1961) // Mother (Revised) (Luther Price, 2002) // Nidhanaya (The Treasure, Lester James Peries, 1973) // Ongaku kigeki: Horoyoi jinsei (The Tipsy Life, Kimura Sotoji, 1933) // Päonien-Quickstep (Harry Tomicek, 2011) // Piejūras klimats [destroyed; 1992 edit of the remains] (Maritime Climate, Rolands Kalniņš, 1974) // Rapture (John Guillermin, 1965) // rein/raus (Jan Soldat, 2010) // [Scènes érotiques réalisée pour le Animateur Stéréoscopique] (René Bünzli, ~1900) // Ta’ det som en mand, frue! (Take It Like a Man, Ma’am!, Mette Knudsen & Elisabeth Rygaard & Li Vilstrup, 1975) // La torna (Francesc Bellmunt, 1978) // [Verscharren von Kadavern in einem Bomberntrichter] (Götz Hirt-Reger, 1943) // When a Stranger Calls (Fred Walton, 1979) // White Rock (Tony Maylam, 1977) // Yuddham Sei (Wage War, Myshkin, 2011) // Zvanyj užin (The Dinner Party, Fridrich Ėrmler, 1953)

Το προσωπικό της ομάδας
235.000.000 (Uldis Brauns [& Biruta Veldre & Laima Žurgina], 1967) // Le 15/8 (Chantal Akerman & Samy Szlingerbaum, 1973) // Aadukalam (Vetrimaaran, 2011) // Aamua kaupungissa (Morning in the City, Jörn Donner, 1954) // After the Garden: Dusty Ricket (Luther Price, 2007) // Akmens un šķembas (Stone and Flinders, Rolands Kalniņš, 1966) // Aloumínio tīs Elládos (Aluminium of Greece, Roússos Koúndouros, 1965) // L’Ami de monsieur [outtake, dance scene] (Pierre de Cuvier, 1936) // El ángel desnudo (Carlos Hugo Christensen, 1946) // Ani imoto (Older Brother, Younger Sister, Kimura Sotoji, 1935) // Anja (Ol’ga Preobraženskaja, 1927) // A.P. (Anno passato, Karpo Godina, 1966) // April Fools Day (Fred Walton, 1986) // Asuntopula (Holger Harrivirta, 1947) // Barcelona (James Stevens-Edwards, 1927) // Das blaue Band (Harry Tomicek, 2011) // Border (Simone Häckel & Kolja Barbara Kunt & Ariane Pauls & Markus Ruff & Simon Specht, 2006) // The Burglar (Paul Wendkos, 1957) // Can – Free Concert (Peter Przygodda, 1972) // Carnet de identidad (Llorenç Soler, 1970) // Circus goningumi (Five Men in the Circus, Naruse Mikio, 1935) // The Crowded Day (John Guillermin, 1954) // Donde mueren las palabras (Where Words Fail, Hugo Fregonese, 1946) // [Doris Day in 'Mitternachtsspitzen' von Irene] (promotional short, German dubbed version; 1960) // Einmal eine große Dame sein (Gerhard Lamprecht, 1934) // Enoken no Seishun Suikoden (Romantic and Crazy, Yamamoto Kajiro, 1934) // Eröffnung der ersten Teilstrecke der Reichsautobahn Frankfurt a.M. – Darmstadt am 19. Mai 1935 (1935) // [Experiments with stereoscopic moving images by William Friese-Greene] (~1890-93) // El Fantasma del convento (The Phantom of the Convent, Fernando de Fuentes, 1934) // Fifteen Maiden Lane (Allan Dwan, 1936) // Flavia, la monaca musulmana (Flavia the Heretic, Gianfranco Mingozzi, 1974) // Geschwisterliebe (Jan Soldat, 2007) // I giorni dell’ira (Day of Anger, Tonino Valerii, 1967) // Graf Porno und die liebesdurstigen Töchter (1969; Günter Hendel) // [Guinean students performing voluntary work in Cuba] (Josefina Crato & José Bolama & Flora Gomes & Sana na N’Hada, 1969) // Harmagedon – Erään maailman loppu (Juha Rosma [& Jussi Parviainen], 1986) // Hitch Hitch Hitchcock (Zoran Tadić, 1969) // Humanic passt immer: Märzenbecher (Axel Corti, 1968) // Ikárie XB 1 (Icarus XB 1, Jindřich Polák, 1963) // Inkblot # 44: Aqua Woman (Luther Price, 2011) // Interim (Jan Soldat, 2011) // Ja, babuška, Iliko i Illarion (I, Grandmother, Iliko and Illarion, Tengiz Abuladze, 1963) // Jaros (Marran Gosov, 1970) // Käpt’n Rauhbein aus St. Pauli (Nurses for Sale, Rolf Olsen, 1971) // Karnaval cvetov (Carnival of Flowers, Nikolaj Ėkk, 1935) // Kattradhu Thamizh (Learned Tamil, Ram, 2007) // Ključi ščast’ja [fragment] (The Keys to Happiness, Vladimir Gardin & Jakov Protazanov [& Giovanni Vitrotti], 1913) // Kon’yaku yubiwa (Engēji ringu) (Engagement Ring, Kinoshita Keisuke, 1950) // Kristally (Crystals, Jakov Kaplunov, 1948) // Laysa lahum wuǧūd (They Do Not Exist, Muṣṭafā Abū ͑ Alī, 1974) // Die lustigen Weiber von Tirol (Hans Bilian, 1964) // Maciste all’inferno (Maciste in Hell, Riccardo Freda, 1962) // Mademoiselle Else (Isabelle Prim, 2010) // Mala seoska priredba (A Little Village Performance, Krsto Papić, 1972) // The Mormon (Allan Dwan, 1912) // Mr. Wonderful (Luther Price, 1988) // Nandalala (Myshkin, 2010) // Ni liv, historien om Jan Baalsrud (Nine Lives, Arne Skouen, 1957) // No. 10 Blues – Goodbye, Saigon (Osada Norio, 1975-2012) // North Beach (Dion Vigne, 1958) // Noticiari de Barcelona No 15: Libertat d’espressió (Antoni Ribas, 1978) // Now Is the Time to Put On Your Glasses (Norman McLaren, 1951) // Ongaku eiga: Hyakumannin no gasshō (Chorus of One Million Voices, Tomioka Atsuo, 1935) // La patria del rata (Ratsy, Francisco Lara Polop, 1981) // Peppino e Violetta (Never Take No For an Answer, Maurice Cloche, 1949) // Plebej [fragment] (Plebeian, Jakov Protazanov, 1915) // Poslednij attrakcion (The Last Attraction, Ol’ga Preobraženskaja & Ivan Pravov, 1929) // [Promo per 'La vendetta è il mio perdono'] (1968) // Rendezvous With Annie (Allan Dwan, 1946) // River Body (Anne Severson, 1971) // Robinzon Kruzo (Robinson Crusoe, Aleksandr Andrievskij, 1947) // Roma contro Roma (War of the Zombies, Giuseppe Vari, 1963) // San Diego Surf (Andy Warhol [& Paul Morrissey], 1968/96) // Sekidō koete (Across the Equator, Tsuburaya Eiji, 1936) // Sethu (Bala, 1999) // Der Sex-Agent (Günter Hendel, 1978) // Shitō no densetsu (A Legend Or Was It?, Kinoshita Keisuke, 1963) // Il signor Max (Mister Max, Mario Camerini, 1937) // Das Stundenhotel von St. Pauli (Hotel by the Hour, Rolf Olsen, 1970) // The Thief’s Wive (Allan Dwan, 1912) // Tietokoneet palvelevat (Computers Serve, Risto Jarva, 1968) // [Trailer für 'Im singenden Rössl am Königssee'] (1963) // Up in Mabel’s Room (Allan Dwan, 1944) // V allejach parka (In the Alleys of the Park, Lidija Stepanova, 1952) // Vi vil leve! (Rolf Randall & Olav Dalgard, 1946) // Yoru no henrin (The Shape of Night, Nakamura Noboru, 1964) // Yūyakegumo (Clouds at Twilight, Kinoshita Keisuke, 1956)

Ιατρικό προσωπικό (film/video installations, film/video art projects κ.λπ.)
Art Kept Me Out Of Jail. Homage To Jacques Mesrine (Jan Fabre, 2009) // Burn (Reynold Reynolds & Patrick Jolley, 2002) // Eigengrau (The Inner Self in Outer Space) (Melvin Moti, 2011) // “Einige Nachrichten an das All” (film-theatre-performance; Kay Voges, 2011) // Ghiro ghiro tondi – Carrousel de jeux (Angela Ricci Lucchi & Yervant Gianikian, 2006) // “Heimat – sandwich construction” (multi-media installation; 2006; Kolja Barbara Kunt) // “The House in the Middle” (installation [includes The House in the Middle, 1954, Federal Civil Defense Authority]; Stephan Mörsch, 2009) // “Ihminen ja tiede” (“Man and Science”, film installation; Mika Taanila, 2011) // Nečajannye radosty [unfinished, destroyed; 2006 edit of the remains] (Unintentional Pleasures, Rustam Chamdamov, 1972-74) // The Return of Bruce Nauman’s “Bouncing Balls” (Francesco Vezzoli, 2006) // Spindrift [2013 reconstruction by Mika Taanila] (Jan Bark & Erkki Kurenniemi, 1967) // “Soft Rains – #6: Suburban Horror” (multi-media installation; Jennifer & Kevin McCoy, 2003)

(πηγή lafuriaumana.it, ojosabiertos.otroscines.com, sensesofcinema.com)