Το περιοδικό της Αργεντινής CON LOS OJOS ABIERTOS ζήτησε από διευθυντές φεστιβάλ, προγραμματιστές, σκηνοθέτες, αλλά και κριτικούς τις επιλογές τους για τις καλύτερες ταινίες του 2015.
Οι επιλογές τους συνιστούν, χωρίς αμφιβολία, την avant-garde της κινηματογραφοφιλίας σήμερα.
Hans Hurch, διευθυντής φεστιβάλ (Viennale)
Ji-geum-eun-mat-go-geu-ddae-neun-teul-li-da / Right Now, Wrong Then, Hong Sangsoo
El apóstata / The Apostate, Federico Veiroj
Lu Bian Ye Kan / Kaili Blues, Bi Gan
Tired Moonlight, Britni West
Visita ou Memórias e Confissões / Memories and Confessions (1982-2015), Manoel de Oliveira
Carlo Chatrian, διευθυντής φεστιβάλ (Festival del Film Locarno)
Nie yin niang / The Assassin, Hou Hsiao-hsien
Rak ti Khon Kaen / Cemetery of Splendour, Apichatpong Weerasethakul
L’Ombre des femmes / In the Shadow of Women, Philippe Garrel
No Home Movie, Chantal Akerman
Comoara / The Treasure, Corneliu Porumboiu
-Bella e perduta, Pietro Marcello
-Mia madre, Nanni Moretti
Jonathan Rosenbaum, κριτικός (www.jonathanrosenbaum.com / Cinemascope)
Saul fia / Son of Saul, Laszlo Nemes
Jauja, Lisandro Alonso
Ex Machina, Alex Garland
I, Dalio, Mark Rappaport
Xi you / Journey to the East, Tsai Ming-liang 
Miguel Gomes, σκηνοθέτης (As Mil e Uma Noites)
Rak ti Khon Kaen / Cemetery of Splendour, Apichatpong Weerasethakul
Ji-geum-eun-mat-go-geu-ddae-neun-teul-li-da / Right Now, Wrong Then, Hong Sangsoo
La academia de las musas / Academy of the Muses, José Luis Guerin
John From, João Nicolau
L’Ombre des femmes / In the Shadow of Women, Philippe Garrel
Kent Jones, σκηνοθέτης -κριτικός (Hitchcock-Truffaut / Film Comment)
Bridge of Spies, Steven Spielberg
Carol, Todd Haynes
Heart of a Dog, Laurie Anderson
Junun, Paul Thomas Anderson
A Poem Is a Naked Person, Les Blank
Darezhan Omirbayev, σκηνοθέτης (Student)
1. Walnut-Tree, Erlan Nurmukhambetov
2. Catchpoll, Murat Makhan
Denis Côté, σκηνοθέτης (Boris sans Béatrice)
Rak ti Khon Kaen / Cemetery of Splendour, Apichatpong Weerasethakul
Mad Max: Fury Road, George Miller
As Mil e Uma Noites / Arabian Nights, Miguel Gomes
Aferim, Radu Jude
Ji-geum-eun-mat-go-geu-ddae-neun-teul-li-da / Right Now, Wrong Then, Hong Sangsoo
Adrian Martin, κριτικός (Mise en scène and Film Style)
Mía madre / My Mother, Nanni Moretti
Nie yin niang / The Assassin, Hou Hsiao-hsien,
Mad Max: Fury Road, George Miller
La academia de las musas / Academy of the Muses, José Luis Guerin
Scrapbook, Mike Hoolboom 
Robert Koehler, προγραμματιστής (Qingdao International Film Festival Planning Group)
Comoara / The Treasure, Corneliu Porumboiu
As Mil e Uma Noites / Arabian Nights, Miguel Gomes
Bella e perduta / Lost and Beatiful, Pietro Marcello
Ji-geum-eun-mat-go-geu-ddae-neun-teul-li-da / Right Now, Wrong Then, Hong Sangsoo
Nie yin niang / The Assassin, Hou Hsiao-hsien
Joshua Oppenheimer, σκηνοθέτης (The Look of Silence)
Rak ti Khon Kaen / Cemetery of Splendour, Apichatpong Weerasethakul
Court, Chaitanya Tamhane
The Lobster, Yorgos Lanthimos
600 millas / 600 miles, Gabriel Ripstein
Koza, Ivan Ostrochovský
Jorge García, κριτικός (El amante- Con los ojos abiertos)
Phoenix / Ave Fénix, Christian Petzold
Pod elektricheskimi oblakami / Under Electric Clouds, Aleksei German Jr
Cavalo dinheiro / Horse Money, Pedro Costa
Carol , Todd Haynes
Deux jours, une nuit / Two Days, One Night, Jean-Pierre Dardenne & Luc Dardenne
Homeland (Irak: Year Zero), Abbas Fahdel
Kis Uykusu / Winter Sleep, Sueño de invierno), Nuri Bilge Ceylan
It Follows / Te sigue, David Robert Mitchell
Todo comenzó por el fin / It All Started at the End, Luis Ospina
Une jeunesse allemande / The German Youth, Jean-Gabriel Périot
(πηγή http://ojosabiertos.otroscines.com)
